I Am Taíno is a portrait series that explores the erasure of Taíno identity through a process known as “paper genocide.”
The Taíno are the Indigenous peoples of the Spanish-speaking Caribbean who were long believed to be extinct. This belief was partly due to the removal of the “Indio” (Indigenous) racial category from census records in the early 1800s, which forced Taíno people to identify as white, Black, or mixed on official documents. The community refers to this bureaucratic erasure as paper genocide.
The dominant historical narrative holds that 80–90% of Taíno were killed following European contact in the 15th century, and that those who survived became too “mixed” through intermarriage and mestizaje (cultural and genetic blending) to claim an Indigenous identity. Despite this, a grassroots movement known as the Taíno Movement emerged in the 1960s among Caribbean communities and their diasporas in the U.S., asserting Indigenous survival. A 2003 study funded by the U.S. National Science Foundation further supported this claim, revealing that 61% of Puerto Ricans carry Amerindian mitochondrial DNA.
After decades of being dismissed as “fake Indians,” Taíno people were finally able to identify as Indigenous in the 2010 U.S. Census. Their visibility was further affirmed with the opening of a dedicated Taíno exhibition at the Smithsonian’s National Museum of the American Indian in New York in 2023.
In collaboration with Taíno Chief Jorge Baracutei Estévez and the New York City-based community group Higuayagua, this portrait series documents the Taíno people’s continued fight for recognition and challenges the colonial legacy of race as a tool of exclusion. The resulting images were published on National Geographic on October 14, 2019. Read the article here.






















